
Sit back, close your eyes and think of a band you love. Now repeat the
exercise and contemplate a band that you hate. The likelihood of either of
the bands you have chosen being Travis is remote and therein lies the
problem with this four-piece from Glasgow. People are either mildly
irritated by them or quite like them leaving no place for impassioned
fanaticism or devoted hatred - which rather defeats the point of music, in
my humble opinion, because you want an emotional response of one sort or
another. But, when considering a band who specialise in albums to fall
asleep to, this lack of overt passion may not be too surprising.
Travis have come a long way since their pub-rock posturing of their debut
('Good Feeling') way back when Oasis were the biggest band in the world and
no-one knew who Limp Bizkit were. Thankfully, the quartet grew out of this
phase and came back with the deeply understated 'The Man Who' which
catapulted the band both into the charts and onto the coffee tables of a
large proportion of the record buying population in the British Isles with
the highly offensive and deeply irritating 'Why Does It Always Rain on Me?'
single leading the charge. Thankfully the rest of the album concentrated on
what Travis do best -unpretentious songs about love (requited or otherwise)
and life. Which leads us nicely to the release of this year's 'Invisible
Band'.

While it would be cruel to suggest that this album is merely a direct replica
of 'The Man Who', there are striking similarities. Lyrically, there isn't
much of a difference between the two with Fran Healy's clichéd critiques on
love and life still very prevalent - "we all live under the same sky / we
all will live / we all will die" ('Side') - but that is not to say that 'The
Invisible Band' is an album without its fair share of charm. Songs like
'Dear Diary' and 'The Cage' are exquisite in their simplicity and while the
sentiments expressed in these songs are well-worn (lost love, notions of
having to set someone free if you truly care for them), this does not
detract from their stark beauty. Songs like 'Sing', 'Side' and 'Flowers in
the Window' can be filed under 'anthem' - a loose term to describe any song
that drunken students will sing the chorus of ad infinitum but will never
actually know any of the words to the verses. Downsides? Alas, there is
nothing on this album that is as immediately striking as 'Writing to Reach
You' for instance and those who only like bands which push musical
boundaries will be sickened by sentiments such as those mentioned in 'Safe'
where staying the middle-of-the-road seems the only sane option in life -
"oh there goes another year. / I feel so safe". It is 'safe' to say that
this is hardly 'Amnesiac'.
In conclusion, 'The Invisible Band' is hardly ground-breaking but is not
without its charms unlike many of their contemporaries' recent efforts -
namely the Stereophonics and David Gray. Essential for those who really
liked 'The Man Who' but for everyone else, one to copy on a blank tape which
you wouldn't get too upset about if you lost.
Rating: 7/10
About the Author
DJ Walk Boom is a part-time DJ in Freakscene and also sings with local band
Decoy-X.
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